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Movies Review

Movie Review – Death Note (Netflix)

Oof, where to begin?  I come to Netflix’s adaptation of the Death Note manga not from any sort of fandom.  It’s one I was dimly aware of, but haven’t read or watched any of the anime.  I was interested mostly because of the “Willem Dafoe voicing a death god” angle.  Having watched it now, I don’t feel it was a complete waste of time but it wasn’t exactly a paragon of entertainment.

The elephant in the room

This movie is based on the Japanese manga of the same name, and when you take media from another culture and adapt it, you’ve got to be extra careful.  I’m not against adaptations like that, some great material has come about from doing just that.  However, there has to be a reason you made that move.  There’s a great example in the Hollywood Reporter story about Death Note by Rebecca Sun.  The Departed may be a remake of Infernal Affairs, but the cultural differences are a tool used in the story.  It’s different because of who it’s about.  Here, they made Light white but it doesn’t matter to the story.  Beyond seeing the Space Needle, there’s no way to tell this is even an American city, let alone Seattle.  If you’re going to change the culture the movie is steeped in, make it matter.

The rest of the story

For the movie itself, there were a few good performances mixed with some not-so-good.  I liked Lakeith Stanfield as L, and Shea Whigham fills the cop-dad role well.  And yeah, Willem Dafoe, awesome.  Unfortunately, Nat Wolff and Margaret Qualley as Light and Mia fail to carry the movie.  Uneven performances combined with odd directing choices (see below) means you end up laughing at a scene that was not supposed to be funny a few too many times.

Yikes.  Light is supposed to be a genius, but beyond a little cleverness with the ending, it’s mostly lip service.  Mia is annoying as heck, and I definitely don’t see why this guy would want her to stick around.

Is it the worst thing on Netflix?  No, they keep letting Adam Sandler make movies.  But I’d have to get pretty far down the my list to think about re-watching, which is not a good sign (I re-watch stuff all the time despite the list).  Maybe just read the manga or watch the anime instead (which you can currently see on Netflix also).

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Review TV

TV Review – Amazon’s The Tick Season One

I mentioned this when I talked about the pilot episode, that it amazes me that The Tick keeps getting chances.  The latest show, on Amazon, is the third time the hero has appeared on our screens.  Not bad for a hero that was created a mascot for a comic book shop.  The comics that came from that, and the original 3 seasons of cartoons on Fox helped launch creator Ben Edlund’s career.  He’s written, produced and directed some of nerd-dom’s favorite projects, including Supernatural, Angel, Firefly, the Venture Brothers and more.

Branding is power.  – The Terror

This version of The Tick is a bit darker and dare I say grittier than the previous televised versions, while at the same time skewering dark and gritty comic shows.  The Tick himself doesn’t know who exactly he is, other than being The Tick.  Arthur, too, has some mental issues stemming from a traumatic childhood.  He saw The Terror kill both his father and his favorite heroes.  So yeah, pretty dark, but don’t worry – there’s plenty of the trademark humor to be had.  They even manage to make product placement funny, with the The Terror intoning “Alexa, play ominous music!” at one point.  They parody Superman and the Punisher (who’s been a frequent target of Edlund’s in the previous Tick incarnations), and there’s even a giant naked guy just wandering around.  Ms. Lint, one of the primary villains, still lives with her ex and the relationship definitely recalls the American Maid/Die Fledermaus interplay.

If there’s a negative, it’s that the humor may not be for everyone.  The show definitely leans into the absurdist nature of universes populated by talking super-dogs and hundred year old villains.  It’s also a bit jarring to see the level of violence in a show about The Tick.  The suit looks terrible in the pilot episode, but that was fixed for the rest of the series (and doesn’t pass uncommented).

I had some trepidation about this but by the end I was fully on board.  Peter Serafinowicz is a great Tick, Griffin Newman and Valorie Curry work well as Arthur and Dot, and the rest of the ensemble do their part.